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Favorite
Films (Organized by Year)
Favorite Films (Organized
by Director)
Masterpieces
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The
Masterpieces
1920s
Sherlock,
Jr. (Buster Keaton, 1924)
Last Laugh, The
(F.W. Murnau, 1924)
Greed [4 hr. cut]
(Erich von Stroheim, 1925)
Metropolis (Fritz
Lang, 1927)
Sunrise
(F.W. Murnau, 1927)
Passion of Joan of Arc, The
(Carl Theodor Dreyer, 1928)
1930s
City Lights (Charles
Chaplin, 1931)
Trouble
in Paradise
(Ernst Lubitsch, 1932)
Design for Living (Ernst
Lubitsch, 1933)
Testament of Dr.
Mabuse, The (Fritz Lang, 1933)
L'Atalante
(Jean Vigo,
1934)
Modern Times (Charles
Chaplin, 1936)
Make Way for Tomorrow
(Leo McCarey, 1937)
You Only Live Once (Fritz Lang, 1937)
Rules of the Game, The (Jean Renoir,
1939)
Story of the
Late Chrysanthemums (Kenji Mizoguchi, 1939)
Wizard
of Oz, The (Victor Fleming, 1939)
1940s
Shop Around the
Corner, The (Ernst Lubitsch, 1940)
Citizen Kane (Orson
Welles, 1941)
Casablanca (Michael
Curtiz, 1942)
To Be or Not To Be
(Ernst
Lubitsch, 1942)
This Land is Mine
(Jean Renoir, 1943)
At
Land (Maya Deren, 1944)
Double Indemnity
(Billy Wilder, 1944)
Ivan the Terrible,
Part I (Sergei Eisenstein, 1944)
Big Sleep, The (Howard
Hawks, 1946)
It's a Wonderful Life
(Frank Capra, 1946)
Notorious (Alfred Hitchcock, 1946)
Shoe-Shine (Vittorio De Sica, 1946)
Treasure of the Sierra
Madre, The
(John Huston, 1948)
1950s
In
a Lonely Place (Nicholas Ray, 1950)
Rashomon (Akira
Kurosawa, 1950)
Sunset
Blvd. (Billy Wilder, 1950)
Miss Julie (Alf Sjöberg, 1951)
Strangers on a Train (Alfred
Hitchcock, 1951)
Life of Oharu, The
(Kenji
Mizoguchi, 1952)
On Dangerous Ground (Nicholas Ray,
1952)
Earrings of Madame
de..., The (Max Ophuls, 1953)
Pickup
on South Street (Samuel Fuller, 1953)
Ugetsu (Kenji
Mizoguchi, 1953)
Rear Window (Alfred
Hitchcock, 1954)
Sansho the Bailiff (Kenji
Mizoguchi, 1954)
Seven Samurai (Akira
Kurosawa, 1954)
Floating Clouds (Mikio Naruse, 1955)
Night and Fog
(Alain
Resnais, 1955)
Burmese Harp, The (Kon
Ichikawa, 1956)
A Man Escaped (Robert
Bresson, 1956)
Wrong Man, The
(Alfred Hitchcock, 1956)
Written on the Wind
(Douglas Sirk, 1956)
Bitter
Victory (Nicholas Ray, 1957)
Bridge on the River Kwai, The (David Lean, 1957)
Nights of Cabiria
(Federico Fellini, 1957)
Seventh Seal, The
(Ingmar Bergman, 1957)
Sweet Smell of Success
(Alexander Mackendrick, 1957)
Throne
of Blood (Akira Kurosawa, 1957)
Touch of Evil (Orson Welles, 1958)
Vertigo (Alfred
Hitchcock, 1958)
Human
Condition I:
No Greater Love (Masaki Kobayashi, 1959)
North by Northwest
(Alfred Hitchcock, 1959)
1960s
L'Avventura (Michelangelo
Antonioni, 1960)
Shoot the Piano Player
(Truffaut, 1960)
When a Woman Ascends the
Stairs (Mikio Naruse, 1960)
Yojimbo (Akira Kurosawa,
1961)
La Jetée
(Chris Marker, 1962)
Jules and Jim
(Francois Truffaut, 1962)
Manchurian Candidate, The (John
Frankenheimer, 1962)
My Life to Live (Jean-Luc
Godard, 1962)
Trial, The (Orson Welles,
1962)
8 1/2 (Federico Fellini,
1963)
An Actor's Revenge
(Kon Ichikawa, 1963)
Contempt
(Jean-Luc
Godard, 1963)
Woman
in the Dunes
(Hiroshi Teshigahara, 1964)
Alphaville
(Jean-Luc
Godard, 1965)
Pierrot le Fou (Jean-Luc
Godard, 1965)
Shop on
Main Street, The
(Jan Kadar and Elmar Klos, 1965)
Au Hasard Balthazar
(Robert Bresson, 1966)
The Good, the Bad, and
the Ugly (Sergio Leone, 1966)
Persona (Ingmar Bergman,
1966)
Belle
de Jour (Luis
Bunuel, 1967)
Bonnie and Clyde (Arthur
Penn, 1967)
Graduate, The (Mike
Nichols, 1967)
Mouchette (Robert
Bresson, 1967)
Playtime
(Jaques Tati,
1967)
2001:
A Space Odyssey
(Stanley Kubrick, 1968)
Once
Upon a Time in the
West (Sergio Leone, 1968)
Une Femme Douce
(Robert Bresson, 1969)
1970s
Conformist, The
(Bernardo Bertolucci, 1970)
A Clockwork Orange
(Stanley Kubrick, 1971)
McCabe & Mrs. Miller
(Robert Altman, 1971)
Aguirre, the Wrath of God
(Werner Herzog, 1972)
Godfather, The (Francis
Ford Coppola, 1972)
Solaris (Andrei
Tarkovsky, 1972)
Conversation,
The (Francis
Ford Coppola, 1974)
Godfather Part II, The
(Francis Ford Coppola, 1974)
Deep Red (Dario Argento, 1975)
Dersu Uzala (Akira
Kurosawa, 1975)
Mirror (Andrei
Tarkovsky, 1975)
Taxi Driver (Martin
Scorsese, 1976)
Annie Hall (Woody Allen,
1977)
Grin Without a Cat (Chris
Marker, 1977/2002)
That
Obscure Object of
Desire (Luis Bunuel, 1977)
Days
of Heaven (Terence
Malick, 1978)
Apocalypse Now (Francis
Ford Coppola, 1979)
The Life of Brian
(Terry Jones, 1979)
Manhattan (Woody Allen,
1979)
Nosferatu the Vampyre
(Werner Herzog, 1979)
1980s
Airplane! (Jim Abrahams,
David Zucker, and Jerry Zucker, 1980)
Berlin Alexanderplatz
(Rainer Werner Fassbinder, 1980)
Empire Strikes Back, The
(Irvin Kershner, 1980)
Raging Bull (Martin
Scorsese, 1980)
Shining, The (Stanley
Kubrick, 1980)
The Road Warrior
(George Miller, 1981)
Blade Runner (Ridley
Scott, 1982)
Fanny and Alexander
(Ingmar Bergman, 1982)
Fitzcarraldo (Werner
Herzog, 1982)
Koyaanisqatsi (Godfrey
Reggio, 1983)
L'Argent (Robert
Bresson, 1983)
Nostalghia (Andrei
Tarkovsky, 1983)
Blood Simple (Joel Coen,
1984)
NeverEnding Story, The
(Wolfgang Petersen, 1984)
Once
Upon a Time in
America (Sergio Leone, 1984)
Blue
Velvet (David Lynch,
1986)
Decalogue, The
(Krzysztof
Kieslowski, 1987)
Raising Arizona
(Joel Coen, 1987)
Where is My Friend's
House? (Abbas Kiarostami, 1987)
Distant Voices, Still Lives
(Terence Davies, 1988)
Adventures
of Baron
Munchausen, The
(Terry Gilliam, 1988)
Thin Blue Line, The
(Errol
Morris, 1988)
Do the Right Thing (Spike
Lee, 1989)
Seventh Continent, The
(Michael Haneke, 1989)
1990s
Close-Up (Abbas
Kiarostami, 1990)
Goodfellas (Martin
Scorsese, 1990)
Nouvelle Vague
(Jean-Luc
Godard, 1990)
Trust (Hal Hartley, 1990)
Raise the Red Lantern
(Zhang Yimou, 1991)
Last of the Mohicans, The (Michael
Mann,
1992)
Malcolm X (Spike Lee,
1992)
Player, The (Robert
Altman, 1992)
Three Colors: Blue
(Krzysztof Kieslowski, 1993)
Naked (Mike Leigh, 1993)
Chungking Express
(Wong
Kar-Wai, 1994)
Pulp Fiction (Quentin
Tarantino, 1994)
Three Colors: Red
(Krzyzstof Kieslowski, 1994)
Cyclo (Tran Anh Hung, 1995)
Heat
(Michael Mann,
1995)
Underground (Emir
Kusturica, 1995)
Mother & Son
(Aleksandr
Sokurov, 1997)
Sweet Hereafter, The
(Atom
Egoyan, 1997)
Histoire(s) du Cinéma
(Jean-Luc Godard, 1998)
Rushmore (Wes
Anderson,
1998)
Eyes Wide Shut (Stanley
Kubrick, 1999)
Fight Club (David
Fincher, 1999)
Magnolia
(Paul Thomas
Anderson, 1999)
Rosetta
(Luc and
Jean-Pierre Dardenne, 1999)
2000s
Code Unknown (Michael
Haneke, 2000)
In the Mood for Love
(Wong Kar-Wai, 2000)
Werckmeister Harmonies
(Béla Tarr, 2000)
Yi
Yi (Edward Yang, 2000)
In Praise of Love
(Jean-Luc Godard, 2001)
Mulholland Dr. (David
Lynch, 2001)
Royal Tenenbaums, The (Wes
Anderson, 2001)
25th Hour (Spike Lee,
2002)
Decasia
(Bill Morrison, 2002)
Punch-Drunk Love
(Paul
Thomas Anderson, 2002)
Spirited Away (Hayao
Miyazaki, 2002)
Cremaster 3 (Matthew
Barney, 2003)
Elephant
(Gus Van Sant,
2003)
Mystic River (Clint
Eastwood, 2003)
Spider (David Cronenberg,
2003)
Dogville (Lars von Trier,
2004)
Millennium Mambo
(Hsiao-Hsien Hou, 2004)
Last
Days (Gus Van
Sant, 2005)
New
World, The
(Terrence Malick, 2005)
L'Intrus/The Intruder
(Claire Denis, 2006)
I'm Not There
(Haynes, 2007)
There Will Be Blood
(Anderson, 2007)
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