To most
inhabitants of the United States
and much of the Western World, the
words Al Jazeera immediately bring to mind thoughts of terrorism,
anti-semitism, or propaganda. The news network, now seen by more
Arabs
than any other network, was recently coined "the mouthpiece of Osama
Bin
Ladin" (the phrase came about when America
cared about that guy) by the Bush Administration and lambasted for its
unfair,
unbalanced coverage of events in the Middle East.
Jehane Noujaim's new documentary, Control Room, gives an
up-close look
at Al Jazeera's coverage of the war in Iraq
through the United States
take over of Baghdad.
It
focuses on the day to day activities of Hassan Ibrahim, a major Al
Jazeera
reporter who is against the war but sympathetic towards both sides,
Samir
Khadar, the network's producer, and United States Lieutenant Josh
Rushing, who
is the military press contact. What Control Room succeeds
most at
is presenting multiple perspectives on the same events as well as proof
that
while Al Jazeera's coverage is slanted, it is no more biased than any
of the
American or British networks. It shows the impossibility of truly
objective war coverage and that even when reporters search for the
truth, there
are so many barriers that much of the information comes out slanted
towards one
side or the other.
The
presentation of the material is
a bit sloppy and could've used some more precise editing, but
considering much
of the footage shown was previously unavailable, it is an insightful
document
of the other side of the story. In America,
so much is made of the anti-American stance of many Arabs, but through
Al
Jazeera it becomes apparent that they have more than enough reasons to
see our
presence in their country as self-serving and unwarranted. Most
of what
we learn in the film is actually common knowledge to people following
the war
through well-rounded means of communication (i.e., non-Fox News/CNN
etc.
buffs), but assuming a country's state of mind and seeing it up front
are two
completely different things. It may sound like it, but Control
Room
is not a pro-Al Jazeera or anti-American film. The focus on the
fleeting
nature of truth and the inability of people to search outside of their
own
pre-determined perspective not only leads us to the conclusion that
similar
attitudes will lead to biased coverage in the future and will
facilitate more
horrifying situations like the one in Iraq until our country's leaders
can
begin looking at things from a truly global perspective.
The
Lieutenant's presence in the
film is quite refreshing because it gives us the typical brainwashed
military
point of view, though he's also intelligent enough to try to help
others see
where he's coming from and to look at situations from many different
angles. He seems genuinely interested in why the Iraqi's react
the way
that they do and how they see certain events as they unfold.
Along with
the other two men that are followed, the paradoxical nature of the
media on a
grand scale becomes frighteningly clear. It in no way excuses
one-sided
news reporting (and it was nice to hear one representative of Al
Jazeera freely
admit their news was not objective and follow with the question "What
network's new is objective?") and actually gives plenty of
evidence
to support claims that networks like Fox thrive on hypocrisy and
doublespeak to
capture their audience even when most reporters appear determined to
report
things as they happened. By juxtaposing images of the war with Al
Jazeera's and other network's coverage, we also see that what is
reported isn't
nearly as important as what isn't reported and that much of the bias is
created
in the decisions of what to cover rather than within the stories
themselves. The press, not war, is the necessary evil in Control
Room
and information is now more powerful than missiles. In the 21st
Century,
the war is no longer won or lost on the battle field, but on our
television
screens.